by Blair Jackson for MIX
“So far in our periodic in-depth series about the film sound chain, we’ve looked at production sound mixing (April 2004), sound effects recording (July 2005) and Foley recording (September 2005). This month, we examine the world of ADR — automated dialog replacement, also known as looping or dubbing (or post-synchronization in Britain). As most of you know, this is the critical procedure in which dialog is…”
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